May 19, 2013

Top: “Continuous-flow bath is the best method for calming excited mental cases. With their bodies greased, the patients can remain in the baths for hours, gradually fall asleep.” LIFE Magazine
Bottom: Jacques-Louis David, Death of Marat (1793)

Top: Red equal signs: Gay marriage equality box spreads on social media
Bottom: Mark Rothko, Black on Maroon [Seagram Mural] (1958)

Nihilism as a psychological state will have to be reached, first, when we have sought a “meaning” in all events that is not there: so the seeker eventually becomes discouraged. Nihilism, then, is the recognition of the long waste of strength, the agony of the “in vain,” insecurity, the lack of any opportunity to recover and to regain composure—being ashamed in front of oneself, as if one had deceived oneself all too long.—This meaning could have been: the “fulfillment” of some highest ethical canon in all events, the moral world order; or the growth of love and harmony in the intercourse of beings; or the gradual approximation of a state of universal happiness; or even the development toward a state of universal annihilation—any goal at least constitutes some meaning. What all these notions have in common is that something is to be achieved through the process—and now one realizes that becoming aims at nothing and achieves nothing.— Thus, disappointment regarding an alleged aim of becoming as a cause of nihilism: whether regarding a specific aim or, universalized, the realization that all previous hypotheses about aims that concern the whole “evolution” are inadequate (man no longer the collaborator, let alone the center, of becoming).

Nihilism as a psychological state is reached, secondly, when one has posited a totality, a systematization, indeed any organization in all events, and underneath all events, and a soul that longs to admire and revere has wallowed in the idea of some supreme form of domination and administration (—if the soul be that of a logician, complete consistency and real dialectic are quite sufficient to reconcile it to everything). Some sort of unity, some form of “monism”: this faith suffices to give man a deep feeling of standing in the context of, and being dependent on, some whole that is infinitely superior to him, and he sees himself as a mode of the deity.—“The well-being of the universal demands the devotion of the individual”—but behold, there is no such universal! At bottom, man has lost the faith in his own value when no infinitely valuable whole works through him; i. e., he conceived such a whole in order to be able to believe in his own value.

Nihilism as psychological state has yet a third and last form.

Given these two insights, that becoming has no goal and that underneath all becoming there is no grand unity in which the individual could immerse himself completely as in an element of supreme value, an escape remains: to pass sentence on this whole world of becoming as a deception and to invent a world beyond it, a true world. But as soon as man finds out how that world is fabricated solely from psychological needs, and how he has absolutely no right to it, the last form of nihilism comes into being: it includes disbelief in any metaphysical world and forbids itself any belief in a true world. Having reached this standpoint, one grants the reality of becoming as the only reality, forbids oneself every kind of clandestine access to afterworlds and false divinities—but cannot endure this world though one does not want to deny it.

What has happened, at bottom? The feeling of valuelessness was reached with the realization that the overall character of existence may not be interpreted by means of the concept of “aim,” the concept of “unity,” or the concept of “truth.” Existence has no goal or end; any comprehensive unity in the plurality of events is lacking: the character of existence is not “true,” is false. One simply lacks any reason for convincing oneself that there is a true world. Briefly: the categories “aim,” “unity,” “being” which we used to project some value into the world—we pull out again; so the world looks valueless.

NIetzsche, The Will to Power

May 18, 2013

manpodcast:

The picture at the top of this post was taken in 1983 by the second guest on this week’s Modern Art Notes Podcast: David Maisel. It’s titled Wall of Ash, Walking to the Crater, Mount St. Helens.

On the program Maisel and host Tyler Green discussed the relationship between Maisel’s picture and Paul Cezanne’s paintings of Mont Sainte-Victoire in Provence. The two examples of Cezannes here are both from 1902-06. The top one is at the Nelson-Atkins Museum of Art in Kansas City; the one on the bottom is from the Philadelphia Museum of Art.

Maisel was on The MAN Podcast to discuss his beautiful new book “Black Maps: American Landscape and the Apocalyptic Sublime,” which is just out from Steidl. An exhibition by the same title of Maisel’s work is on view at the University of Colorado Art Museum through May 11.

How to listen: Download the show to your PC/mobile device. Subscribe to The MAN Podcast via iTunesSoundCloudStitcher or RSS. See more images of art discussed on the program.

May 16, 2013
christiesauctions:

Jean Dubuffet (1901-1985)Chevalier traqué
Art Contemporain

christiesauctions:

Jean Dubuffet (1901-1985)
Chevalier traqué

Art Contemporain

May 14, 2013

“The Court of Ravana”, Folio from a Ramayana (ca. 1605)

(Source: metmuseum.org)

May 12, 2013

Georg Friedrich Kersting: Caspar David Friedrich in his Studio (1811, 1812)

(Source: atelierlog.blogspot.com)

May 11, 2013
Paula Rego, Children and their Stories (1989)

Paula Rego, Children and their Stories (1989)

(Source: casadashistoriaspaularego.com)

Paula Rego, The Betrothal: Lessons: The Shipwreck, after ‘Marriage a la Mode’ by Hogarth (1999)

Paula Rego, The Betrothal: Lessons: The Shipwreck, after ‘Marriage a la Mode’ by Hogarth (1999)

(Source: tate.org.uk)

May 10, 2013
Paula Rego, Drawing for ‘The Dance’ (1988)

Paula Rego, Drawing for ‘The Dance’ (1988)

(Source: tate.org.uk)

May 9, 2013
Paula Rego, The Dance (1988)

Paula Rego, The Dance (1988)

Paula Rego, Andromeda

Paula Rego, Andromeda

(Source: artbash.co.nz)

May 8, 2013
Paula Rego, Stitched and Bound

Paula Rego, Stitched and Bound

(Source: artbash.co.nz)

Paula Rego, Feeding

Paula Rego, Feeding

(Source: artbash.co.nz)

May 7, 2013
Sigmar Polke, Untitled [lens painting] )2007)

Sigmar Polke, Untitled [lens painting] )2007)

(Source: minimalexposition.blogspot.com)

Sigmar Polke, Beyond the Rainbow (2007)

Sigmar Polke, Beyond the Rainbow (2007)

(Source: minimalexposition.blogspot.com)

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