December 1, 2012

Let us take a limited example and compare the war machine and the State apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of the game pieces, the relations between the pieces and the space involved. Chess is a game of State, or of the court: the emperor of China played it. Chess pieces are coded: they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities: a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with a relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, in contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function:”It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases. Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. On the other hand, a Go piece has a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war, with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess. it is a question of arranging a closed space for oneself, thus of going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing or deterritorializing it (make the outside a territory in space: consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere …). Another justice, another movement, another space-time.[Deleuze & Guattari, A Thousand Plateaus]

(Image: top, This14U: Israel-Palestine Map ; bottom, BBC News - Israel to build 3,000 settler homes after UN vote)

November 26, 2012
Digital urbanisms: being urban is being online: Excerpt from Eyal Weizman's The Art of War in Fieze

digitalurbanisms:

Brilliant article from Eyal Weizman in Fieze that should be read in full. It was written in 2006, and 6 years later it is even more relevant. Below is an excerpt of the last half on theory. But really, read the full article.

______________________________

The Art of War, Fieze,…

September 21, 2012

Deleuze’s Abecedary: ‘B for Boisson’ (English Subtitles)

(Source: youtube.com)

Deleuze’s Abecedary: ‘A For Animal’ (English Subtitles)

We should almost say. Well, a writer. What is it? Evidently a writer writes for the readers. But what does this ‘for’ mean? It means to ‘the attention of’. A writer writes to the attention of the readers in the sense that he/she writes for readers. But the writer also writes for non-readers, which means not in ‘the attention of’, but ‘in the place of’. ‘For’ means two things, it means ‘in the attention of’ and ‘in the place of’. So Artaud wrote pages that everyone knows, “I write for the illiterates”, “I write for the idiots”. Faulkner writes for the idiots. This does not mean that the idiots read him, this does not mean that the illiterates read him, it means “in the place” of the illiterates. I can say I write in the place of the savages, I write in the place of the animals. And what does this mean? Why do we dare saying something like that? I write in the place of the illiterates, the idiots, the animals. Because this is what we do when we write. When one writes, it is not a small private affair. It is really the buggers, the abomination of the literary mediocrity, of all times, but especially at the moment, that make people believe that in order to write a novel, a small private affair is sufficient. A grandmother who died from a cancer; or one’s love story, and so on, one makes a novel out of it. It is a shame. It is a shame when it is like that. To write is not a small private matter; it means to fall into a universal matter. In the novel or in philosophy, so what does this mean?

(Source: youtube.com)

March 18, 2011
theatlantic:

Does Anne Hathaway News Drive Berkshire Hathaway Stock?
 

A couple weeks ago, Huffington Post blogger Dan Mervish noted a funny trend: when Anne Hathaway was in the news, Warren Buffett’s Berkshire Hathaway’s shares went up. He pointed to six dates going back to 2008 to show the correlation. Mervish then suggested a mechanism to explain the trend: “automated, robotic trading programming are picking up the same chatter on the Internet about ‘Hathaway’ as the IMDb’s StarMeter, and they’re applying it to the stock market.”
The idea seems ridiculous. But the more I thought about the strange behavior of algorithmic trading systems and the news that Twitter sentiment analysis could be used by stock market analysts and the fact that many computer programs are simply looking for tradeable correlations, I really started to wonder if Mervish’s theory was plausible.
I called up John Bates, a former Cambridge computer scientist whose company Progress Software works with hedge funds and others to help them find new algorithmic strategies. I asked, “Is this at all possible?” And I was surprised that he answered, roughly, “Maybe?”

Read more at The Atlantic

Capitalism and Schizophrenia. Perhaps if, in the future, more and more automated trading systems implement such strategies, such correlations will begin to have greater significance. As absurd as it sounds, when we think about it, these robotic behaviors don’t seem that far out from that of humans as we think (or like to believe) they are. Isn’t the Hathaway association very similar to the current behavior of Chinese consumers in panic about radiation? They buy up potassium iodide tablets, which are used to treat and protect from the effects of radiation. Then a rumor goes out that table salt contains Iodine. At some point it takes on a life of its own, and people begin hoarding any kind salt available, then soy sauce, and then chicken bouillon cubes. Marshall McLuhan had described the media as extension of ourselves. The computer is an extension of our thinking. Perhaps the web, especially the social media, includes the extension of our unconscious, and these algorithms pick up on something similar to the unrestrained association of objects that we pick up in dreams.

theatlantic:

Does Anne Hathaway News Drive Berkshire Hathaway Stock?

A couple weeks ago, Huffington Post blogger Dan Mervish noted a funny trend: when Anne Hathaway was in the news, Warren Buffett’s Berkshire Hathaway’s shares went up. He pointed to six dates going back to 2008 to show the correlation. Mervish then suggested a mechanism to explain the trend: “automated, robotic trading programming are picking up the same chatter on the Internet about ‘Hathaway’ as the IMDb’s StarMeter, and they’re applying it to the stock market.”

The idea seems ridiculous. But the more I thought about the strange behavior of algorithmic trading systems and the news that Twitter sentiment analysis could be used by stock market analysts and the fact that many computer programs are simply looking for tradeable correlations, I really started to wonder if Mervish’s theory was plausible.

I called up John Bates, a former Cambridge computer scientist whose company Progress Software works with hedge funds and others to help them find new algorithmic strategies. I asked, “Is this at all possible?” And I was surprised that he answered, roughly, “Maybe?”

Read more at The Atlantic

Capitalism and Schizophrenia. Perhaps if, in the future, more and more automated trading systems implement such strategies, such correlations will begin to have greater significance. As absurd as it sounds, when we think about it, these robotic behaviors don’t seem that far out from that of humans as we think (or like to believe) they are. Isn’t the Hathaway association very similar to the current behavior of Chinese consumers in panic about radiation? They buy up potassium iodide tablets, which are used to treat and protect from the effects of radiation. Then a rumor goes out that table salt contains Iodine. At some point it takes on a life of its own, and people begin hoarding any kind salt available, then soy sauce, and then chicken bouillon cubes. Marshall McLuhan had described the media as extension of ourselves. The computer is an extension of our thinking. Perhaps the web, especially the social media, includes the extension of our unconscious, and these algorithms pick up on something similar to the unrestrained association of objects that we pick up in dreams.

Liked posts on Tumblr: More liked posts »